Red Order: arms race




Red Order: arms race

“Where we are not” group show.

Ekaterina cultural foundation, Rodchenko art school (graduate show)


(09.06.22-19.06.22)




Photos by Varvara Toplennikova


13th department
Case No. 10032037
Agent: Papus
Folder code: 002

Any knowledge is embodied in a huge number of objects and artifacts, subordinating the configuration of these objects to the logics and meanings that it (knowledge) contains. Accordingly, any visual languages in one way or another contain a certain “flavor” of those epistemological systems within which they were produced. The interface of a smartphone, the layout of a printed publication, a map in a history textbook - all this is not only at the level of semantics, but also at the level of syntax there is also a projection of ideology and power relations.

Agent Myrmidia-898 (22-23-6754)



END OF CONNECTION



Installation view


Installation view


Pavel Polshchikov,  Red Order gonfalon, 2021, synthetic silk digital printing, steel chains, polymer clay, epoxy resin, ropes



Pavel Polshchikov,  Red Order gonfalon, 2021, synthetic silk digital printing, steel chains, polymer clay, epoxy resin, ropes



Pavel Polshchikov,  Red Order gonfalon (detail), 2021, synthetic silk digital printing, steel chains, polymer clay, epoxy resin, ropes


]
Pavel Polshchikov,  Red Order gonfalon (detail), 2021, synthetic silk digital printing, steel chains, polymer clay, epoxy resin, ropes


Installation view
                         

Installation view
]Pavel Polshchikov,  Decagram // sacral mapping, 2022, plexiglass, steel chains, polymer clay, glass, epoxy resin, ropes, bones, jasper, obsidian


Pavel Polshchikov,  Decagram // sacral mapping (detail), 2022, plexiglass, steel chains, polymer clay, glass, epoxy resin, ropes, bones, jasper, obsidian


Pavel Polshchikov,  Decagram // sacral mapping (detail), 2022, plexiglass, steel chains, polymer clay, glass, epoxy resin, ropes, bones, jasper, obsidian


Pavel Polshchikov,  Decagram // sacral mapping (detail), 2022, plexiglass, steel chains, polymer clay, glass, epoxy resin, ropes, bones, jasper, obsidian


Pavel Polshchikov,  Decagram // sacral mapping (detail), 2022, plexiglass, steel chains, polymer clay, glass, epoxy resin, ropes, bones, jasper, obsidian


Pavel Polshchikov,  The Lashes of Fire 1/3, 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene


Pavel Polshchikov,  The Lashes of Fire 1/3, 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene


Pavel Polshchikov,  The Lashes of Fire 1/3 (detail), 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene



Pavel Polshchikov,  The Lashes of Fire 2/3, 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene


Pavel Polshchikov,  The Lashes of Fire 2/3, 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene



Pavel Polshchikov,  The Lashes of Fire 2/3 (detail), 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene



Installation view


Pavel Polshchikov,  The Lashes of Fire 3/3, 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene


Pavel Polshchikov,  The Lashes of Fire 3/3 (detail), 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene


Pavel Polshchikov,  The Lashes of Fire 3/3 (detail), 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene


Pavel Polshchikov,  The Lashes of Fire 3/3 (detail), 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene


Installation view