Red Order: arms race
Red Order: arms race
“Where we are not” group show.
Ekaterina cultural foundation, Rodchenko art school (graduate show)
(09.06.22-19.06.22)
Photos by Varvara Toplennikova
“Where we are not” group show.
Ekaterina cultural foundation, Rodchenko art school (graduate show)
(09.06.22-19.06.22)
Photos by Varvara Toplennikova
13th department
Case No. 10032037
Agent: Papus
Folder code: 002
Case No. 10032037
Agent: Papus
Folder code: 002
Any knowledge is embodied in a huge number of objects and artifacts, subordinating the configuration of these objects to the logics and meanings that it (knowledge) contains. Accordingly, any visual languages in one way or another contain a certain “flavor” of those epistemological systems within which they were produced. The interface of a smartphone, the layout of a printed publication, a map in a history textbook - all this is not only at the level of semantics, but also at the level of syntax is also a projection of ideology and power relations.
Agent Myrmidia-898 (22-23-6754)
END OF CONNECTION
Installation view
Installation view
Pavel Polshchikov, Red Order gonfalon, 2021, synthetic silk digital printing, steel chains, polymer clay, epoxy resin, ropes
Pavel Polshchikov, Red Order gonfalon, 2021, synthetic silk digital printing, steel chains, polymer clay, epoxy resin, ropes
Pavel Polshchikov, Red Order gonfalon (detail), 2021, synthetic silk digital printing, steel chains, polymer clay, epoxy resin, ropes
]
Pavel Polshchikov, Red Order gonfalon (detail), 2021, synthetic silk digital printing, steel chains, polymer clay, epoxy resin, ropes
Installation view
Installation view
]Pavel Polshchikov, Decagram // sacral mapping, 2022, plexiglass, steel chains, polymer clay, glass, epoxy resin, ropes, bones, jasper, obsidian
Pavel Polshchikov, Decagram // sacral mapping (detail), 2022, plexiglass, steel chains, polymer clay, glass, epoxy resin, ropes, bones, jasper, obsidian
Pavel Polshchikov, Decagram // sacral mapping (detail), 2022, plexiglass, steel chains, polymer clay, glass, epoxy resin, ropes, bones, jasper, obsidian
Pavel Polshchikov, Decagram // sacral mapping (detail), 2022, plexiglass, steel chains, polymer clay, glass, epoxy resin, ropes, bones, jasper, obsidian
Pavel Polshchikov, Decagram // sacral mapping (detail), 2022, plexiglass, steel chains, polymer clay, glass, epoxy resin, ropes, bones, jasper, obsidian
Pavel Polshchikov, The Lashes of Fire 1/3, 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene
Pavel Polshchikov, The Lashes of Fire 1/3, 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene
Pavel Polshchikov, The Lashes of Fire 1/3 (detail), 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene
Pavel Polshchikov, The Lashes of Fire 2/3, 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene
Pavel Polshchikov, The Lashes of Fire 2/3, 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene
Pavel Polshchikov, The Lashes of Fire 2/3 (detail), 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene
Installation view
Pavel Polshchikov, The Lashes of Fire 3/3, 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene
Pavel Polshchikov, The Lashes of Fire 3/3 (detail), 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene
Pavel Polshchikov, The Lashes of Fire 3/3 (detail), 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene
Pavel Polshchikov, The Lashes of Fire 3/3 (detail), 2022, polymer clay, epoxy resin, ropes, wood, plywood, needles, digital printing on polyethylene
Installation view